Voici une petite visite rapide de mon studio personnel. Je suis ici en train de préparer un petit concert qui va avoir lieu à l’Ecole d’Architecture de Lyon.
Here is a small visit of my personal studio. I’m preparing a small live act at the High School of Architecture (ENSAL) in Lyon, France.
Nouveau patch gratuit pour le module Sampler du logiciel Live !
Créé sur un synthétiseur modulaire Eurocak. Echantillonage effectué à l’aide du logiciel AutoSampler et d’une interface Metric Halo MIO 2882.
New free patch for ableton Sampler module !
Created on an Eurorack analog modular synthesizer. Sampling done with AutoSampler software and a Metric Halo MIO 2882 audio interface.
Modules analogiques utilisés | Eurorack analog modules used
Bonne écoute ! | Enjoy listening !
Utilisation libre ! | Enjoy free using !
Cwejman MMF-6 project [65 Mo] (56)
Cette création est mise à disposition sous un contrat Creative Commons.
Liens | Links
ableton Live
Cwejman
Tiptop Audio
Malekko Heavy Industry
Redmatica – Autosampler
Metric Halo
This question stared after having recorded 4 audio clips from my modular synth in 4 separate audio tracks. I’m wondering how to crossfade between 4 tracks in realtime using the joystick of my FaderFox micromodul LV2 ? A kind of vector mixing between these 4 tracks ?
What I’ve tried first was to make some group tracks:
- Group Track 1 = Track A + Track C
- Group Track 2 = Track B + Track D.
Then I assigned the X MIDI controller of the FaderFox’s joystick to control the level of track A and in opposite the level of track C. I did the same for Track B and D with the Y MIDI controller of the FaderFox’s joystick. But that’s not a true vector crossfader.
I think that the X MIDI controller of the FaderFox’s joystick should also control the level of the Group Track 2 and the same with the Y MIDI controller of the FaderFox’s joystick for the level of the Group Track 1. But then the MIDI controllers values must be mapped to have a special curve …
Instead of thinking about axis (X and Y) where each of the four audio sources is along these axis (axis X : source A & source C – axis Y : source B & source D), the idea was to think about a square where each corner is an audio source. Here is what I’ve done …
I’ve recently bought Thesys plug-in (formely named Eloquence) from Sugar Bytes. The main reasons of my choice are:
In this small demo, Thesys sequencer is driving a sample set done on my modular synth (from what I can recall a Plan B Model 15 and a Doepfer filter were used). I started with on of the factory preset, tweak it, put some random lines, and … that’s it !
Bonne écoute ! | Enjoy listening !
Ce diaporama a été réalisé durant l’été 2008 pour une candidature à la résidence d’artiste de Skriduklaustur, en Islande. La musique a été composé quelques mois auparavant à l’aide d’un synthétiseur analogique modulaire, puis mixé avec ableton Live.
Ljós|Light is a combination of some of the main themes that have emerged during my work as a photographer in Iceland. These are organized in a slow dissolved movement slideshow, and a soundtrack that is composed with low vibration and icelandic darkscape in mind. It tries to express the deep and mysterious moods of this country – light, weather, landscape and culture.
This slideshow was made in summer 2008 for a residence artist application in Skriduklaustur, Iceland. The soundtrack was composed few months before on analog modular synth and mixed with ableton Live.
Hielo Patagonia Sounds & Hedi Kairouannais © 2008
Hielo Patagonia Sounds ® 1999-2009
